“But I wanted to see you. While the cloth was laid, the host and Thames descended to the cellar, whence they returned, laden with a number of flasks of the same form, and apparently destined to the same use as those depicted in Hogarth's delectable print—the Modern Midnight Conversation. The cloth was removed, and Wood, drawing the table as near the window as possible—for it was getting dusk —put on his spectacles, and opened that sacred volume from which the best consolation in affliction is derived, and left the lovers—for such they may now be fairly termed—to their own conversation.
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