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She wrapped a leg around him. She herself, and one other there, recognized the interposition of something akin to tragedy. Ah! what's that?" he exclaimed, as some one brushed hastily past him. The young lady saw the change, and almost snorted. The London backgrounds, in Bloomsbury and Marylebone, against which these people went to and fro, took on, by reason of their gray facades, their implacably respectable windows and window-blinds, their reiterated unmeaning iron railings, a stronger and stronger suggestion of the flavor of her father at his most obdurate phase, and of all that she felt herself fighting against. And, stretching out his hand, he lifted the dark object from the flood. It's fortunate we've no more Jack Sheppards, or I should stand but a poor chance. ‘Sleeping like a baby, he is. The metrical irregularity is intentional, because I want, as it were, to put you apart: to change the lilt and the mood altogether when I speak of you.

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