But at this point he was still subservient, still outwardly humble, in spite of the blackhearted villainy that was even then burgeoning in his breast. ‘The fact of it is,’ I said, ‘I’m the new playwright, Thomas More. It ceased to be the symbol of liberty and a remote and quite abstracted person, and became suddenly and very disagreeably the token of a large and portentous body visible and tangible.
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